Timbre Composition in Electroacoustic Music

First Published in 1994. The contributions to this collection have been selected to define a range of interests from the technical aesthetic cognitive and compositional spheres. The book addresses the continuing need for musicologists psychologists composers and listeners to enter into a creative dialogue with designers and builders who are usually programmers in the contemporary world. The collection as a whole will help to demonstrate the great potential for exchange between the multidisciplinary approaches to music.